Historical objects and technologies (255-257)
Christina Kubisch:
Nostalgico
Aleksander Kolkowski: Phonographies Archive
Paul DeMarinis: The Edison Effect
video excerpts
The history of a place (257-259)
Eliška Cílková: Pripyat Piano (The Zone Of Chernobyl)
Alvin Lucier: I am sitting in a room
comment YouTube YouTube YouTube YouTube YouTube YouTube YouTube YouTube YouTube YouTube YouTube YouTube YouTube YouTube YouTube Vimeo Vimeo Vimeo Vimeo Vimeo Vimeo Vimeo Vimeo Vimeo SoundCloud SoundCloud SoundCloud SoundCloud SoundCloud SoundCloud SoundCloud play play play play play play
Chris Watson: In St. Cuthbert’s Time: A 7th Century Soundscape of Lindisfarne
Personal histories: Resonance of place (259-260)
Mendi and Keith Obadike: BIG HOUSE/DISCLOSURE
Jean-Luc Guionnet and Éric La Casa: HOME: HANDOVER
Jacob Kreutzfeldt and Brandon Labelle: Copenhagen Sonic Experience Map
Treatments of musical material (260-263)
Paul Whitty: stop me if you think that you’ve heard this one before
Sergei Zagny: Fragments from Swan Lake
score
A piece makes a history (263-268)
John Cage: Organ 2/ASLSP
Jakob Ullmann: voice books and FIRE 3
Imagined histories and cultures (268-272)
Historical Documents of the Irish Avant-Garde
album sampler
release
Cage: Freeman Etudes
Gabriel Dharmoo: Anthropologies imaginaires
Johnny Chang/Catherine Lamb (aka Viola Torros)
Meredith Monk:
The Education of the Girlchild
Dolmen Music
Atlas
Book of Days – “Madwoman’s Vision”
Maria de Alvear:
En amor duro
