Interaction, improvisation, indeterminacy (188-189)
Groups, collectives, and long-term interactions (189-195)
AACM (Association for the Advancement of Creative Musicians)
Gruppo di Improvvisazione Nuova Consonanza
MEV (Musica Elettronica Viva)
The Sealed Knot: and we disappear
Types of rejection (195-196)
Lê Quan Ninh
Improvising Freely: the ABCs of an Experience
Keith Rowe and Toshimaru Nakamura: between
Power plays and other forms of relating (196-197)
Individual and collective decision-making (197-203)
Christian Wolff:
For 1, 2, or 3 People
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Edges
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CD / erstdist
Burdocks
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Ordinary Matter
Spring
Eisler Ensemble Pieces
X for Peace Marches
Instrumentalist(s)—Singer(s)
Exercises
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2: SoundCloud
14b: play
CD
James Saunders: things to do
scores
Cueing (203-205)
Joseph Kudirka: superstition’s willing victim
Saunders: either/or
Wolff: Lines
comment
Nomi Epstein:
communications for a.pe.ri.od.ic
two groups
Games and communities (206-207)
John Zorn: The Parachute Years
Roscoe Mitchell: The Card Catalogue
John Stevens: Search & Reflect: A Music Workshop Handbook
Maggie Nicols
Taking the Dog for a Walk: conversations with British improvisers
Inhabiting a space together (improvisers, audience, context) (207-209)
Filament (Sachiko M and Otomo Yoshihide)
Filament
Technology as conversationalist, technology as environment (209-213)
George Lewis: Voyager system
David Tudor:
resource guide
Rainforest IV
comment
description
chronology
YouTube
CD
Neural Synthesis
CD
Neural Network Plus
David Behrman:
resource guide
QSRL
play comment
On the Other Ocean
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Unforeseen Events
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In Thin Air
The interaction is the score (213-217)
Éliane Radigue:
Naldjorlak
comment YouTube
OCCAM OCEAN
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