Radu Malfatti’s 12-hour installation and James Tenney’s “In a large, open space” were relevant to each other in their quietness, in the freedom of coming and going of the audience, and in their understated qualities. Knowing that the aesthetic world … Continue reading
EXAUDI‘s premiere of Christopher Fox’s Comme ses Paroles would have made my trip to the UK worthwhile in itself. It was a totally involving, intense experience. The piece began before I knew it. Anton Lukoszevieze seemed to be warming up … Continue reading
Seth Josel has just released an electric guitar solo CD with New World Records called The Stroke That Kills. I’m really looking forward to getting my hands on it once I’m back in the US. I’m most interested to hear … Continue reading