When I saw the line, “a rare negative review,” attached to a link about Experimental Music Since 1970, I assumed that it referenced the general—though by no means complete—positivity of public responses to my book so far. It turns out … Continue reading
A couple of weeks ago, I drove up from Boston to Montreal for a series of three concerts given by the Bozzini Quartet and Philip Thomas. (I missed the Wednesday night concert.) I was hard at work on a separate … Continue reading
Anything I write about Toshiya Tsunoda’s O Kokos Tis Anixis (Grains of Spring) is bound to be more of an anticipation of my own future with it than a cataloguing of opinions or knowledge about it. But this is a … Continue reading